![](\"https://static.photofolio.com/media/alexander-dummer-124674.jpg\")
Creative Industry
T: 888-555-1234
E: info@creativeindustry.org
351 Paris Hill Ave.
Forest Hills, NY 11375
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Two Track Road is an integrated production company made up of Directors best described as \"salt of the earth.\" We specialize in hybrid productions creating assets across film, branded content, photography, cinemagraphs, and social in a single production.
Simply put, we do whatever it takes to tell authentic stories because we do not know another way. Authenticity is part of who we are at the core. We believe the best stories are real, honest, and hard-working. Our flexible way of working really pays off when producing content on leaner budgets while still creating cinematic and compelling films.
Why the name Two Track Road? Metaphorically speaking, we like to go off the beaten path, take the fork in the road. With all the content in today's world, you have to make content that stands out.
We love shooting in water up to our neck, swimming with sharks, laying in the mud, and doing whatever it takes to get the shot. Mainly because that's often what it takes to make great films, but it is also a great way to live life. We have made films, photographed and shot commercials for the U.S. Marine Corps, Harley Davidson, MillerCoors, Subaru, Dick's Sporting Goods, Buick, Cadillac, The Daytona 500, JWT, Leo Burnett, Jimmy John's, Nintendo, Lowes, and many more.
Check out our Clients page to see more.
All the fun and all the fantastic films we have been privileged to make are possible because of great clients, alongside the amazing producers and teams we put together. The pre-production process is even more critical today, and those teams deserve a lot of credit. Thanks to all those clients, producers, and crew!
We challenged ourselves to explore new ways to green our studio. We weatherized, insulated, overhauled and installed. We paired geothermal with a rooftop solar system and are now 100 percent powered by clean energy. Nothing was exempt from examination to make our workspace one that’s not only good for the health of everyone who works or visits but also good for the planet.
At the heart of it, I want the work we create to be a reflection of all that I hold most dear – my wife and son, the environment, the caregivers. For this, we will continue to dig and search and leave no stone unturned; to do whatever it takes to tell the kinds of stories that bring people deeper into something that will move them and inspire action.
Let's go make films, photos, swim with sharks, and play in the mud!
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I grew up surrounded by people best described as “salt of the earth.” As a kid in that kind of environment, you learn pretty quickly to be creative and resourceful. Simply put, I do whatever it takes to get the shots because I do not know another way. Authenticity is part of who I am at the core. I enjoy nothing more than the seeing how my son reacts to the world with such genuineness.
That work ethic and resourcefulness comes in handy when creating a library of hundreds of images. I love the challenge of shooting libraries and hybrid video and still shoots with a cinematic style.
As a former art director, I understand the relationship between art and commerce. As an experienced photojournalist, I create a narrative for the brand. As a Photographer and Director, I use this experience to create libraries of images that tell honest stories with real moments and emotions that pull viewers into the shot.
I love shooting in water up to my neck, swimming with sharks, laying in the mud and doing whatever it takes to get the shot. Mostly because that's often what it takes to make great shots but it is also a great way to live life.
Big shoot, small shoot, big crew, small crew, thousands of images with little time, ice, snow, rain, etc.; you name it and we are up for the challenge. I thrive in challenging environments while thinking on my feet.
All the fun and all the amazing images I am privileged to make are possible because of the amazing producers and teams we put together. The pre-production process is even more important today with library and hybrid video and still shoots and those teams deserve a lot of credit. Thanks to all those producers and crew!
Let's go shoot and play in the mud! Mud is optional for clients but usually not for me ;-)
![](\"https://static.photofolio.com/media/stacey-rozells-288200_bw.jpg\")
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July 03, 2017
I left Los Angeles in route to San Francisco the morning of July 3rd. I had recently been in the Dominican Republic and I was eager to get back to the bay! In fact our entire crew was glad to be back in the golden city. Here's some pics from our time there.
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Some visitors wonder why the bridge isn't gold, like made from actual gold (or at least gold painted). Others, like me, have long mistaken it for red. The color is actually called 'international orange' - a variation on the color used now for many astronaut jumpsuits. It was a beautiful accident. The steel parts arrived in an orangey red primer, which was quickly recognized to meld best with the scenery.
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EXECUTIVE PRODUCER
Talia Watkins
773.234.6177
DIRECTOR/FOUNDER
Jason Lindsey
312.344.3281
Get my latest news, projects, and tips delivered—SUBSCRIBE HERE!\n
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Inspired by the ancient practice of maple syrup making, the film interweaves the rhythm of sap collection with the melody of a wooden flute, creating a symphony of human creativity and nature's wisdom. The tree's awakening becomes a powerful metaphor for environmental awareness, highlighting the delicate balance between abundance and responsibility.
This film is dedicated to Indigenous peoples, including the Anishinaabe, Haudenosaunee, and Wabanaki, who invented maple syrup and have harvested sap for centuries as an essential part of their physical and spiritual nourishment.
\"It's Time\" aspires to plant seeds of change, encouraging viewers to listen to nature's whispered warnings and become stewards of our shared environment.
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Directors: Jason Lindsey + Scott Krahn
Producer: Talia Watkins
Editor: Jason Lindsey
Sugarmaker: Anna Keck
Narrator: Dave Pettitt
Music: 'Metamorphasis' by The Blackbird 3 (Album for Purchase on Apple Music)
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In 2019, my wife and I embarked on a journey of discovery, learning to make maple syrup from the sugar maples in our backyard. Little did we know, this simple decision would lead to the creation of 'It's Time,' a short film that would enlighten us and our audience about the power of nature's bounty and generational wisdom in fostering climate awareness.
When the COVID-19 pandemic struck in 2020, we found ourselves in a unique situation. Confined to our property, we discovered a sense of unity and shared experience in the rhythmic drip of sap and the billowing steam of the evaporator. It was during these quiet moments that the seed of an idea began to germinate, connecting us to the world outside.
A pivotal moment occurred one March morning as I practiced my wooden flute beneath the trees. The flute's melody intertwined with the steady plink of sap falling into buckets, creating a natural symphony of cycles and interconnectedness. This experience became a cornerstone of the film, representing the delicate balance between human creativity and nature's wisdom.
Then, the spring of 2023 brought an unexpected challenge. Unusual weather patterns disrupted the sap flow, rendering our trees silent. This absence underscored the urgency and responsibility we all share in the face of climate change. What was once taken for granted now felt precious and precarious, adding a sense of motivation to the film's message.
Robin Wall Kimmerer's book \"Braiding Sweetgrass\" profoundly influenced the project during this time. The book's exploration of indigenous wisdom and our relationship with the natural world resonated deeply. The Anishinaabe story of Nanabozho and the maple trees struck a chord, illuminating the delicate balance between abundance and responsibility and shaping the film's narrative and visual style.
In the winter of 2023, \"It's Time\" officially took shape. I contacted my longtime collaborator, Scott Krahn, whose creative directing skills and writing prowess elevated the project. Embracing the challenge of being a one-person crew, I took on the roles of cinematographer and editor. My wife, who had been an integral part of our maple syrup making and our journey of creativity and climate awareness, became the main subject of the film's visuals. Her involvement allowed for a rare combination of authentic storytelling and personal insight, elevating the project's emotional core.
From its inception in 2019 to its completion in the late summer of 2024, \"It's Time\" evolved from a simple documentation of maple syrup making into a unique and poignant exploration of climate change, indigenous wisdom, and our intricate relationship with nature. This short film, with its focus on personal connection and quiet moments spent in harmony with the natural world, stands as a testament to the power of storytelling in inspiring broader awareness.
Savor Authentic Maple Syrup while supporting Indigenous-Owned Producers
Kleekhoot Gold Bigleaf Maple Syrup
Climate Action: Support These Indigenous-Led Environmental Initiatives
Indigenous Environmental Network
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Jason Lindsey
Jason Lindsey's journey as a director is rooted in a deep connection to the natural world, shaped by his upbringing among \"salt of the earth\" individuals. This background instilled a passion for capturing authentic stories that resonate, educate, and bridge human experiences with environmental narratives.
With a background in photojournalism, art direction, and commercial directing, he has honed his skills in visual storytelling, bringing a unique eye for composition and light to his documentary work. His approach blends observational techniques with visually striking cinematography, aiming to forge a deep connection between the audience and the natural world, to evoke emotions and inspire action.
As a volunteer, Jason was on the Board of Directors of Prairie Rivers Network for eleven years. His deeply held ideals are the driving force behind why he and his wife fulfilled a long-held ambition to purchase 27 acres of forest at the mouth of Jordan Creek. Ultimately, they worked with The Land Conservation Foundation to transfer the land to a land trust for permanent protection.
His films have been recognized at prestigious environmental film festivals, including the Wild & Scenic Film Festival, Fresh Coast Film Festival, Wildlife Conservation Film Festival, and 20 other festivals. He is honored to have received the Best Documentary award at the World Water Film Festival.
Jason's latest project, \"It's Time,\" is a short documentary set in his backyard along the Sangamon River in Illinois. It gives a voice to nature and embodies his mission to create films that showcase our environment's beauty and inspire environmental stewardship.
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Scott Krahn
For over 35 years, Scott Krahn created and produced award-winning television commercials and videos for advertising clients across a range of categories, including tourism, healthcare and higher education. He also provided photography services for ad agency clients. During this time, Scott developed an affinity for editorial-style storytelling that focused on the lives of everyday people.
As a volunteer, Scott coached youth basketball for 10 years, was a Big Brother for twelve years, served as publicity committee chair for his church for more than a decade, and was a member of the Wauwatosa Public Library Foundation board for 18 years.
Since retiring, Scott has worked as a freelance photographer while pursuing his interest in filmmaking. He also produced and directed the short documentary “Friday Night Blind,” a short film that has garnered significant acclaim. The film has been featured in over 36 film festivals and secured more than a dozen awards. \"Friday Night Blind\" tells the warm, quirky, inspiring story of three visually impaired bowling friends and the way they roll.
With a deep appreciation of nature and a love of traveling, Scott and his wife, Sharon, enjoy hiking Wisconsin’s Ice Age Trail and continue their mission to visit all 63 U.S. national parks.
LAND ACKNOWLEDGMENT
We respectfully acknowledge that \"It's Time\" was filmed on the ancestral lands of the Peoria, Kaskaskia, Piankashaw, Wea, Miami, Mascoutin, Odawa, Sauk, Mesquaki, Kickapoo, Potawatomi, and Ojibwe peoples. These nations have been stewards of the land along the Sangamon River for countless generations.
We extend our deepest gratitude to the Indigenous peoples who first discovered the gift of maple sap and developed the art of syrup-making. In particular, we honor the Anishinaabe, Haudenosaunee, and Wabanaki nations, whose ancestral wisdom and practices have inspired this film and continue to teach us about living in harmony with the natural world.
As we present this story of awakening and environmental awareness, we recognize the ongoing connection between Indigenous communities and these lands. We acknowledge the history of displacement and broken treaties that have impacted these nations, and we commit to supporting Indigenous sovereignty and environmental stewardship.
May this film not only serve as a reminder of our shared responsibility to listen to the land and respect Indigenous knowledge, but also inspire us to work towards a more sustainable and just future for all.
Following a citizen scientist's journey of discovery, the film explores the treasure hunt for finding freshwater mussels in the upper Sangamon River. Everyday people in Illinois are supporting science in ways that are important to the well-being of their local environment. Finding a diverse collection of healthy mussels means a healthy river, which in turn means healthy people in the community. The film also shows how people come together around these experiences to ensure a healthy community. \"The goal of this film will be to demystify the overall process of scientific research,” said RiverWatch Director and Stream Ecologist Danelle Haake. “We also want to show that community science projects are for everyone and no experience in science is required to participate.”
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Director: Jason Lindsey
Executive Producer: Talia Watkins
1st AC: Ian Mitchell + Kevin Lau
Production Assistant: Bjorn Lindsey
In Collaboration with the National Great Rivers Research and Education Center
Proud to work with:
Upper Sangamon River Conservancy
RiverWatch
Lewis & Clark Community College
Missouri Botanical Garden
St. Louis Zoo
Illinois Natural History Survey
University of Illinois
Funded by:
Living Earth Collaborative
Consortium of Universities for the Advancement of Hydrologic Science, Inc. (CUAHSI)
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\n\n", "size": { "content": { "width": 0, "height": 0 }, "thumb": { "width": 0, "height": 0 }, "bytes": 0, "featuredImage": { "width": 0, "height": 0 }, "pageImages": [] }, "overrides": {}, "key": "10989", "dateAdded": "2025-09-18T15:44:10.190Z", "filters": [], "linkTarget": "" }, "10990": { "id": 10990, "label": "", "caption": "", "type": "html", "content": "
Thanks for signing up!
Excited to share updates with you.
Cheers,
Jason
", "size": { "content": { "width": 0, "height": 0 }, "thumb": { "width": 0, "height": 0 }, "pageImages": [], "featuredImage": { "width": 0, "height": 0 }, "bytes": 0 }, "dateAdded": "2025-09-18T15:45:21.561Z", "linkTarget": "", "filters": [], "key": "10990", "overrides": {} }, "10991": { "id": 10991, "label": "", "caption": "", "type": "html", "content": "“Breaking Ice” follows photographer Jason Lindsey as he creates his “Cracks in the Ice” series, prompted by his son's question about what the world will look like due to climate change. Unable to give clear answers to a child who craves stability due to his medical history, Lindsey turns to art to explore this question.
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Director: Jason Lindsey
Producer: Talia Watkins
Cinematographer, Editor, and Writer: Jason Lindsey
Music: Nuclear Conception by Alice in Winter
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DIRECTOR STATEMENT
\"Breaking Ice\" emerges from my climate anxiety—that gnawing uncertainty about the world my son Björn will inherit. His early life of medical fragility, marked by multiple surgeries and a craving for stability, mirrors our planet's precarious state: both demand we reimagine certainty in an era of constant change.
Through shattering century-old glacier slides, I explore how we instinctively try to piece together what's broken. Our human impulse to rebuild reveals something essential about environmental crisis—we can create meaning from loss, not by returning to a pristine past, but by crafting an honest future.
Art, for me, is never about providing answers. It's about bearing witness to what's breaking while believing in our capacity to respond—showcasing both the beauty and loss that now exist side by side, and art's power to inspire action.
The challenge isn't about fixing everything. It's about being willing to begin.
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DIRECTOR BIOGRAPHY
Jason Lindsey
Jason Lindsey's journey as a director is rooted in a deep connection to the natural world, shaped by his upbringing among \"salt of the earth\" individuals. This background instilled a passion for capturing authentic stories that resonate, educate, and bridge human experiences with environmental narratives.
With a background in photojournalism, art direction, and commercial directing, he has honed his skills in visual storytelling, bringing a unique eye for composition and light to his documentary work. His approach blends observational techniques with visually striking cinematography, aiming to forge a deep connection between the audience and the natural world, to evoke emotions and inspire action.
As a volunteer, Jason was on the Board of Directors of Prairie Rivers Network for eleven years. His deeply held ideals are the driving force behind why he and his wife fulfilled a long-held ambition to purchase 27 acres of forest at the mouth of Jordan Creek. Ultimately, they worked with The Land Conservation Foundation to transfer the land to a land trust for permanent protection.
His films have been recognized at prestigious environmental film festivals, including the Wild & Scenic Film Festival, Fresh Coast Film Festival, Wildlife Conservation Film Festival, and 20 other festivals. He is honored to have received the Best Documentary award at the World Water Film Festival.
Jason's latest projects explore climate change through intimate storytelling. His most recent film, \"Breaking Ice: The Making of Cracks in the Ice\", follows his previous short documentary \"It's Time,\" a short film set in his backyard along the Sangamon River in Illinois. Both projects give voice to nature and embody his mission to create films that showcase our environment's beauty and inspire environmental stewardship.
BEHIND THE SCENES
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CRACKS IN THE ICE
View the entire Fine Art collection of 'Cracks In the Ice' on JasonLindsey.art